Another frock meets another royal

This one, a simple handshake with Princess Takamado, at Cambridge University's 800th birthday party in Tokyo, was rather less close to an international incident than the last time. This time the green silk frock did the honours.

The week before James rashly decided he wanted a bowtie to match my frock. There was barely enough fabric to complete both sides of the bowtie with the leftover green fabric, but James assured me that the way a bowtie is tied, means that each side can be different.

So I went ahead and made one side out of the green silk burnout underlined with red georgette, as used in the frock, and the otherside of shiny black silk charmeuse, which was leftover scraps from the lining of the pin-stripe skirt. I traced the pattern from James' favourite silk bowtie, and tried to match the feel, which required rather robust interfacing which I fused to the fashion fabric.

So it all worked out, and then James tried to tie it and discovered that both sides do show!!! Some quick googling found the way to tie a two sided bowtie - you put a single twist at the back of the neck. See photo and it should all become clear. James made the most of it, reversing the bowtie halfway through the meal, to show black bows and a green centre.

Wind and thunder

The third part of the James' trews trilogy. These ones are made in Fujin and Raijin fabric, purchased at a large fabric store in Kyoto called Nomura Tailor. Fujin and Raijin are Shinto gods of wind and thunder, and, strangely, opposite Nomura Tailor which is located in one of the main shopping streets in Kyoto, there is a building which has huge images of these two gods on it. The pair also adorn a huge wall at our workplace, where we study climate change.

It rained continuously while I was making these trousers, which, unfortunately for the rest of Japan, was during the Golden Week national holiday. The fabric is reasonably thick so quite good for rainy season which is a slightly cooler period during the Japanese summer, typically lasting most fo June. These trews sport another zipped back pocket, using up an old zipper taken of some disposed of garment. This time (and last time) the pocket is slightly larger than for the dragon trews, for those oversized hands

In addition, Simon and his new friend Garfunkel are now equipped for summer, with cotton kimono in dramatic fabrics! Lining up all the seams so that the patterns match is quite wasteful of fabric, so I managed to cut up all the larger pieces leftover from making the trews. This is a good thing since I now feel I've done my bit and can in good conscience throw out the small scraps.

Triangle trews

From time to time I impulsively buy 3.5m of cotton print to make into trews for James, so having made one pair I thought I'd carry on. and work through the stash Fabric for these was bought a couple of years ago at Yuzawaya in Kamata. It is rather lightweight cotton, so possibly not very heardwearing but they should be good for summer. Oh and I also corrected the pattern a bit to make the seams line up better, before cutting these out.

dragons!

Some mid-weight dragon-baggies for James. These are a repeat of the old pattern used right at the start of this blog, although now I have done more stitching I realise that really the pattern could do with a bit of improvement to make the seam-lines match better! The fabric is a mid-weight slightly textured cotton in a Japanesie dragon print bought from "Tomato" in Nippori, Tokyo . Good for Kamakura as it is a town full of dragons, and not just ones like me, but real ones too! I added a rear zip-pocket to these, which is preferred over a non-zipped one, but apparently I made it a bit too small. My excuse is that James has unimaginably wide steak-like hands, and I was using up an old zipper from an ex-garment...

Jalie Jacket in grown-up size

Last year I made the Jalie 2795 hooded jacket for my niece. I always intended to make one for me too. Jalie patterns seem to often include all sizes both child and adult in the same envelope. The differences between the sizes also seem small. This does make it a little difficult tracing the pattern sometimes, particularly in the region of the little triangles that mark the line-up points on the pattern pieces. I actually made mistakes in two of my pattern pieces, although I managed to use the pieces since I hadn't cut off the stitching line, and was using a completely un-ravelly fabric.

This jacket is made in a "lightweight" windpro bought from Mill Direct Textiles. It is a bit hit and miss buying from them - the website descriptions within each fabric type are opaque and the colours decidely approximate. However the quality is generally good, and the fabric type very clearly described making it a good shop for fabric meant for technical wear. Windpro is fleece that is wind resistant. It is not windproof, but cuts out a lot more wind than standard fleece. This makes it much more suitable for an outlayer such as this hoody. This particular version has a hard outer and fleecy inner, a fact that was not apparent to me from the description on the website, however, this makes it even more suitable for an outer layer. The fabric did indeed feel quite lightweight before the jacket was made, and I was concerned it would be too thin, but it is fine now it is sewn up. I envisage this is a spring/autumn weight jacket. In fact I have already started wearing it as an outer layer and so far it has been very successful, if the fact that James keeps asking "aren't you cold?" when we're standing on breezy railway platforms is anything to go by.

Construction was identical to the fleece made for my niece. On the whole I think I did a better job - easier second time around, but I did make one mistake, which was sewing the collar piece on upside down, sewing the shorter rather than longer edge onto the neckline. It was too late to rip by the time I realised, so I trimmed the sides of the piece so that it fitted onto the hood properly. However, by sewing the shorter piece to the neckline I had of course stretched it, which is, I think why there are draglines in the collar.

I am not so sure that the design at the front with the chest-level seam is particularly flattering, but the pockets, created by the seam, are certainly useful.

In Jalie sizes, my chest measurement places me two to three sizes above my waist and hip measurements. But in this case I didn't think I wanted the jacket to be waist or hip-hugging so I cut the correct size for my chest. I basted all the body seams together and tried it on and then decided to sew about 1mm outside the stitching line for the chest area and about 1mm inside for waist-hip. With all the seams on this garment that's at least 6mm reduction in total. I suppose I could have taken more off the waist-hip area, but the finished garment feels OK. Judging from the pattern pictrures, the pattern is designed to have rather long sleeves with cuffs down to the thumb joint. I reduced the length by sewing a bigger seam allowance at the cuff, so that they came down to this point on me. This long sleeve length makes the jacket excellent for cycling.

pajama party

Last but certainly not least (cos they are for me) is the pajamas. These are made from a cool Jalie pattern 2686 in cotton flannel. These have more details than basic pajamas like those James gets :-) . For example, the jacket has piping detail which was fun to make (from cotton broadcloth strips cut on the bias with cord inside) and install. The waist band of the trousers has an elasticated back and a cord tie at the front. These took a long time to cut out because I squeezed in an extra pair of trousers, since they seem to wear out so much more quickly than the jackets, and I ended up cutting out mostly on a single layer of fabric. I lined up some bits properly with the fabric stripes, but failed to realise quite how the cuffs worked so they are not lined up at all.

After 2 pairs of trousers and a jacket there was about 30cm left plus other scraps. Just enough to make full pajamas plus dressing gown for Simon . These patterns were traced off some original sasha doll PJs, that came on wee James, a 1969 Sasha I found for sale on the web. Oh no - a vintage dolly addiction! I am a pensioner before my time! Anyway, I added a fun detail to these, using some of the selvage to make a fringe applied in a similar way to the piping in the Jalie pattern, using it to finish the fronts of the dressing down and also on the pockets and the cuffs of the pajama jacket.

James in winter

James has always had a pair of winter walking breeches. Very nice they are too, in tweed. Of course they are supposed to be plus 2s (meaning 2" spare in length), but on James they were minus 2s. Apart from that, though they were great, so there was no need to make some new ones until they started to get rather thin.

I made these new plus 2s without destroying the originals, by pinning tracing paper onto the originals and drawing on the stitching lines. I then made a mock up in some super cheap corduroy, and then adjusted the pattern, and made sure that the pattern pieces lined up with each other. At least that was the idea. I forgot to transfer one of the adjustments (taking some extra out of the back crotch curve) to the pattern before cutting it out again. It is quite irritating, since it causes the trousers to "pooch out" at the back in most positions. It is not so bad in these picture,s where James has things in his pockets and is striding up the hill. What I should have done is double check by tacking together the final version after it was cut out - then I could easily have adjusted it. But in the overall complexity of all the different parts of the construction I forgot to do this. Major surgery would be required to adjust it now, so I wont bother, especially since James says the comfort is good.

These are made from Polartec PowerShield (from Malden Mills Direct). This is a stretch fabric, 1 layer with a hopefully very hardwearing outer and fleece inner, whereas the originals and my mock up fabric are both non stretch woven. The back pocket is very clever. It creates a double thickness seat which is good for durability and warmth sitting on rocks and sliding down moutains and the like. The belt loops are about 10cm long, and they fold into the waistband, which meant dealing with enormous thicknesses of fabric at the waistband. There are all sorts of clever willy guards inside the fly, while the bottom of the legs are finished with a little gusset and velcro tabs.

As you can see from the photos, there was not much snow around when we went for a little walk the other week, so these have not been tested in real winter conditions yet. But it was the first time on any winter walk that the bottom of the legs of James' breeches have not come undone nor his socks fallen down!

Penny Frocks

My nice niece (called Penny) has her birthday on Christmas Day. A year ago I bought her toys, but the shops were all so segregated into boys things (fun, interactive) and girls things (domestic-ish, pink, useless) that I warned my brother well in advance that next time I would make things, and got measurements of niecey in about October. So, having planned well in advance I managed to fit in making two things even though the wimmin's conference organising was getting a bit of an obsession by then.

First of all the Penny frock. It was a choice between a Simplicity pattern and a New Look Project Runway pattern. I actually bought both patterns and then dithered about which to choose. The Project Runway patterns don't look that appealing to me. Maybe it is because the pictures are always so small on the pattern cover, and they look weirdly "trendy", and unpractical. I decided on the Simplicity and even traced the pattern. Then I compared it to the New Look P.R. pattern and realised that it had a huge amount of ease (about 6") so was going to look rather style-less on a four year old, and that the Project Runway pattern was a lot cuter! So I switched. It turned out to be a lot of fun. These P.R. patterns have lots of optional extras, that are quite easy to add. I made the frock as a sleeveless version from a rather thin cotton, and lined it with a red silk (both from my stash), and then made a silk sash for the waist. I don't know how hard it will wear, but kids clothes only need to last a year, right? I haven't seen a picture of her wearing it yet, but I understand she has done so, so perhaps it fits.

To encourage the inner tomboy in Penny-niece, I also made her a hoodie. The was made from left over sweatshirt fabric. So that's 3 hoodies this piece of fabric has made - one for James, one for Simon and one for Penny! This is the Jalie hooded jacket pattern. I also intend to make this one for myself and I have already bought some windpro fleece from Malden Mills. The pattern was great. It was easy to make (no easing - just stitching pieces together and top stitching), but with lots of pieces and top stitching it looks quite cool (I think). I haven't had any feedback on whether the jacket fits or not (or whether niecey is allowed to be a hoodie-girl!).

A week after posting it all off, I was thinking about how impoverished a present of stuff stitched from spare fabric was, when I spotted a local shop that sells moderately nice kiddiwink clothes. I couldn't believe how expensive they were, for things not as nice (IMO) and certainly in less nice fabric. Kiddies clothes are also fun to make. Not quite as fast as dolly clothes but things like cutting out are much easier, and the clothes come together quite quickly.

Dolly clothes

This is the easiest one to start with. I made a wee set of clothes for Simon: some black jeans, a striped t-shirt and a sweatshirt hoodie, all from spare fabric left over after making similar pieces for James. Here are the two of them working at their computers.

And here are some close-ups. They were based on commercial patterns (Simplicity), which I think are designed for 18" dolls. Simon is only 16" tall and quite a lot smaller all round, so the patterns had to be reduced in size quite a bit. The jeans were quite different from the pattern in the packet since I added real pockets including a coin pocket, silver top stitching and a velcro fly. They fasten with a press-stud. The fun part is how quick and easy it is to knock dolls clothes up - and it reduces the piles of <1mx<1m pieces of fabric.

I also have some tartan fabric, so cut off a bit to make a great kilt for Simon. I actually ironed and hand stitched in the pleats, which isn't the way a real great kilt is constructed - you are supposed to fold it into rough pleats each time you put it on. This isn't really finished. Needs a shirt to go underneath it. I also have since bought some shoes and boots for the dollies. Unfortunately I don't have a picture of James in his great kilt for comparison.

Back from the "real" world

It isn't that I have given up stitchin', although I have done a bit less over the last few months, but I got very busy helping to organise the Japan Wimmin's Conference. Anyway, the Conference was last weekend so now, perhaps I have time for some quick reports on some of the things I have stitched recently.

Since August, I made a jacket and a frock for my niece, some winter walking trousers for James, some PJs for me and used up some bits of spare fabric on dolly clothes...

Mary and Simon in Kimono

While I was visiting my Pa in the UK in June I discovered, in a box, my two Sasha dolls. I got Mary on my second birthday and Simon a few years later, but I never played with them aggressively - they were more kind of decorative - so they are in quite good nick. I couldn't find their box of clothes, but then I remembered the pieces of spare fabric too big to throw out and too small to make a garment with back in Japan.... So we bundled Mary and Simon into our carry-on bags and now here they are in Japan.

They were finding their one set of clothes too hot so the first thing they asked for was some silk kimono. I have actually only made one so far but I have enough fabric for another. Anyone recognise the fabric? If this blog had any readers I would make it a puzzle, but since it doesn't I will just remind myself of the answers. :-) The chiffon burnout is from James' man blouse. Top quality Japanese silk! Lucky Mary and Simon! It is lined with silk charmeuse which was used to line the pinstripe skirt. It is fully-lined so this makes it reversible (for the goth-kimono look). The Obi (the sash) is made from stretch silk charmeuse used to line number two of the recent frocks. I found a pattern on the internet showing the pieces and shapes of a kimono and then fitted the proportions to Mary and Simon's frame. Both men and women wear kimono in Japan. Women in formal kimono are a common sight in Kamakura so Mary is wearing the kimono in that style. However the colouring of this kimono is more like a men's kimono. Men are more commonly seen wearing the summer kimono (called yukata) so this is the style in which Simon is wearing it. Both sexes do up the kimono wrapping left side over right side. Here is a close up of Simon - he looks almost half Japanese!

Frocks

This is Marfy 1661 from this year's catalogue. When I were a lass I used to wonder why those close fitting dresses, which I now learn are called "sheath"s never fitted proper, and concluded I must be a uniquely weird shape. Probably it is true, but now it I realise that because they are close fitting the ready to wear versions of these sorts of frocks probably fit very few people.

So first I made a test using some wool blend fabric from the Emma One Sock online store. The pattern size is 42 which seems to fit quite well for the other patterns I have tried, sometimes requiring taking in a bit at the hips or letting out a bit at the bust. So I cut the 42 with 1 inch seam allowances. It was quite easy to put together the fronts and backs but took a while with all the pocket details and top-stitching. The pattern has some lining/facing pieces for the top of the bodice. Since my fabric was pretty solid I just made these from cupro lining fabric.

According to this book I have on making Linings, when you line a sleeveless frock, before stitching the side-seams you are supposed to stitch right sides together fashion fabric and lining pieces and then pull the frock through both the straps. I was sure this was impossible, since my fabric was quite thick as well as sturdy, so instead I did the front and back linings separately and then stitched the shoulders together after having turned the attached linings right sides out.

Then it was time to put in the zipper up the back and stitch all the long seams. I basted them first and then discovered I had to take in the waist and hips a bit. Then I stitched it all together. The final result was a bit of a mess at the back. The hem hung at an angle and there was extra fabric at the back waist. I've had to make what they for some reason call a "sway-back" adjustment before when making close fitting t-shirts. This is where you take a horizontal dart out of the back. So I played around with the fitting and decided to adjust the pattern, taking both horizontal and vertical darts out of the back and, because of the low-hanging back hem, I didn't add the removed fabric back in again on the hemline. I didn't want to go chopping up the test version though, so to make it acceptable I just stuck a couple of vertical darts in the back and sewed the hem crooked. It looks a bit odd at the back but seems pretty much OK all things considered. I also adjusted the pattern to take a cm out of the back neckline since it gaped a little.

Next it was time to stitch a real one. For this I had some linen-cotton-lycra blend stretch fabric also from Emma One Sock. Since the fabric is a bit transparent and also a bit rough to the touch I fully lined this with some white stretch silk charmeuse from Sarah Veblen's online store. This time I did manage to pull the frock through the shoulder straps although only half the dress at a time since I did this step before sewing the centre front and centre back seams. These fabrics were both very nice since neither frayed much at all. This was a surprise since plain silk charmeuse seems to fray a great deal. With the stretch of the fabric I didn't need to insert a back zipper which was also a bonus. Weirdly I found that I had to take a a couple of cm out of the front of the neckline. I did this by altering the centre seam between the neckline and bust. The bad thing about this version is that I think the neckline was better before I went and top-stitched it. Apart from that it fits quite well. At least James says it is better than the practice. I have been wearing these two frocks at work quite a bit through the hot hot hot sweaty summer.

From scraps to boxers

For some unfathomable reason, James didn't want photos of his lovely self in his underwear thrown all over the interwebs. So here we have a rather dull couple of photos of James' new boxer shorts pinned to the front of a chair.

The shorts are made using the leftover pieces of silk from my suit jacket lining. The fabric pieces left little room for manoeuvre and, unless one were to start making stripes, there was no choice as to which colour was the front and which the back. The first photo shows the front. The pattern is Jalie 2326, which contains a large range of sizes from boy to bloke. James' measurements are closest to size V and I added a 1cm to the seam allowances because the silk frays a lot. I decided to practice a rolled hem so including the extra 1cm, these are bit longer than they might have come out. That, however, is a good thing because James is so tall. There are only very small scraps of silk left now, and I used up the thread I bought to go with it, which makes me glow with the illusion of economy. Being so shiny, these shorts really do look like the shorts boxers wear, but I am told they are very comfortable and I hope they will be good for wearing round the house, as "loungewear", now it has got hot again. Probably these are on the baggy side, and in a less drapey fabric perhaps I should make them a bit narrower.

The shorts were fundamentally simple to make with only two pattern pieces, plus an elastic waistband, but I find sewing anything in silk charmeuse quite tricky. The instructions on the pattern are terse, and really give no explanation or feeling of where they are heading unlike, say, the instructions on a typical Kwik Sew pattern, which teach you how to sew. This gives me some nervousness since it would be very easy to miss a step and makes me wonder if it might have been easier to not bother with the instructions at all! Actually I only started work after checking some pairs of James' boxer shorts to see how they were really put together. One thing I noticed too late but must write down for reference is that, in RTW boxer shorts, the elastic waistband is not stretched much over the front fly area, where there are several layers (4-5) of fabric together. The consequence of over stretching it as I did is a curve which does not lie completely flat when the shorts are worn.

A suit

Remember the pin-stripe skirt and the story of how I got given 2m extra pin-stripe for free? Obviously I had to attempt a suit. Now, for only about 100USD, and a month's hard labour, I have one. I actually finished it a couple of weeks ago, but have been tidying up since then - wool sure make a lot of dust - and I only wore it properly for the first time this week.

The jacket - Marfy 1450 - is, of course, constructed out of a long series of errors. I like to think the errors get smaller the more jackets I make, but still with so many steps in making a jacket there really are a lot of places to go wrong. Moderately priced ready to wear suits are made with much greater accuracy, but I think home stitchin' still wins because of better fit, and nicer fabric (for the price).

I used Kenneth King's Tailored Jacket CD to make the jacket. I think I made better job of the inferfacing this time, but I still struggle to get the lapel right. This jacket has vertical darts in front and back and they all have little dimples in which is also not ideal. Marfy patterns do like quite pouffy sleeves and it is a bit of a struggle getting all the ease in. My resulting sleeve cap is nothing like as smooth as a real suit.

The Marfy size 42 is pretty close to my size. The last jacket ended up a bit tight across the back, and I shortened it a bit too, and also narrowed the shoulder slightly. I compared that pattern to this one and decided that adjustments would mostly likely be within seam allowances so I cut out the lining. I broadened the back by sewing 0.5cm into the seam allowance at the back-underarm seam, tapering down to nothing by the waist. I also added 0.5cm to the circumference of the arm, again tapering to nothing in about 20cm. After making these adjustments in the lining I make the adjusted pattern pieces for the interfacing and top fabric. I also added some extra to the pattern for shoulder pads. I only used thin pads (0.5cm) but it wasn't clear to me whether space for pads is included in the pattern. Even with the extra I added, the bust point is a tad high. The arms are exactly the right length unaltered and I also did not change the length of the body.

The lining is silk charmeuse in an excellent blue colour, bought from Sarah Velben's online store. Generally I prefer to shop for fabric locally, but I haven't seen much range of silk lining fabric so quite a while ago I bought Sarah's colour card. It is really worthwhile since it means there is no guesswork over colour or fabric (I also have a set of samples of the different silks she sells). The only downside is having to wait for it to arrive, but since this time I actually had a plan I could buy it well in advance.


The pattern has no pockets, but KK's CD includes an inside pocket in the lining which I included. It is rather handy although , of course, I managed to put it in the wrong side, which makes it a bit harder to get at than it should be.

Longsleeved J

The brown raglan top is Kwik Sew 2561, a pattern which I have made in various forms 5 times. This version is the slightly slender version, with crew neck and arms extended by 1" compared to last time. The fabric is a fairly substantial cotton knit from Swany. This one seems to have really worked if I am to judge by the fact that there have not yet been any complaints!

The other two tops are cycle/mountain wear and are made of Polartec PowerDry using Kwik Sew 2439. I have made this before, only last time I made View B. This is the "close fitting" View A. After laying out the pattern pieces I realised I could fit them all onto the fabric twice so I thought I would make two tops. So I cut out two fronts, two back and two arms, plus collars and cuffs, neatly using up all the fabric. Only later did I realise that two James' have four arms. Fortunately I had some more PowerDry, although it is slightly heavier weight, so was able to cut the extra arms. I blame the arm pattern for being confusing because, unusually it is symmetrical and cut on the fold.

I cut a medium added an inch to the chest measurement and cut the length to large size. The arms I cut to the full length including the hem and then added a 4cm cuff. Also, as usual I added an inch to the back length. It all worked out fine, except that, at least in this lightweight fabric (the pattern suggests heavyweight fleece) the pattern is not remotely close fitting, especially in the arms. I'm not quite decided what to do if I make more sports longsleeves. I could possibly adapt the raglan top (which I already have a zippered version of), or I could start from James' T-shirt draft...

review